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MORPHOPHYSIOGNOMICS AND PERSONALITY Where do I start to observe a face?

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THE FACE, LIKE IT OR LESS, SAYS IT LONG AND SAYS IT ALL

And what it says reveals MorphophysiognomicsLife, death and miracles of the person a e printed on his face just as provenance, characteristics and ingredients on the food packaging. The same applies to the state of conservation, the packaging date and possible expiration. The face is like a label that contains all this information in non-verbal and unwritten form. This is a powerful indirect communication, the communication experts would say. The face speaks a silent language of magnificent eloquence.

When you "put your face on" the issue is serious, just as it promises to be intriguing when you have "a slap face". A "cheeky" type is also defined by the "tough face", a shady type is said to have the "dark face".

THE HUMAN FACE IS IN PRIMIS A WORK OF ART TO ADMIRE

The purpose of Morphophysiognomics is to understand. A To go beyond judgment and get closer with the spirit of those who are about to admire a work of art of Nature. The aim is to identify the characteristics of a person, which as such are neutral. So there is no absolute positive and negative character. Like an instruction manual, this system tells you what the person is used for and what they can do, their components and specific functions, without judgment.

PRELIMINARY WARNINGS BEFORE READING A FACE 

The idea is to get closer to others as when we were in swaddling clothes: far from us the intention to judge (also because we still lacked most of the tools to do it), we were curious, we "studied" the subject, we wanted to understand first of all who we faced. As investigative and analysis-oriented as the professional's job, this includes the preservation of neutrality and curiosity, as well as the necessary examination of the elements under consideration, because one of the secrets of the success in the morphophysiognomic ars lies precisely in maintaining a healthy attitude intact openness that allows you to stay away from the temptation of judgments and the trap of schematic models. The morpho-physiognomist expert guards the wise awareness that the face he is sifting is an unique that he will never see anywhere again, a unique and rare piece of mankind; at best it could detect a strong similarity by making a comparison with others.

Reasoning in specific and contextual terms frees from the tentacles of the generalization that has damaged the classical discipline of Physiognomy so much, removes the trap of self-congratulation and leaves room for amazement.

WHERE DO I START READING A FACE?

The study and analysis of a face involves both the front and the side in the different elements that make it up. If it is not possible to view the photos of the subject placed in front and from the side (right and left), it is advisable to proceed as in the mug shots and take a sort of mental snapshot of both the face and profile. 

Learning to read a face means imagining to divide into virtual sections, as if it were a map. The best procedure to follow is to examine sequentially:

  1. SECTIONS - THE THREE FLOORS OF THE FACE (for information on the basis of personality - Intellectual, Material or Spiritual)
  2. SHAPE (for general information on the character)
  3. ELEMENTS OF EACH SECTION like eyes, mouth etc (to have personality or specific character elements)

Grow up today.

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Ester Patricia Ceresa

Ester Patricia Ceresa


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